.Portofolio | Bandcamp My first contact with musician and illustrator Peter Harris took place through the superb cover of Lee Scratch Perry’s Rainford album. For the album artwork, Peter has morphed a…
As a dubhead, 2020 is probably my favorite year for dub music. This indoor year meant more creation, with so few live music shows and too much streaming. The industry “suffered” from artists and producers focusing on releasing new music and experimenting and, we, the fans, had the luck to be caught in the pouring waterfall of sounds and Bandcamp Fridays.
When Codin asked me if I’d like to sketch a list of my favorite music albums of 2020, at first, I was afraid, I was petrified. I was thinking I would rather skip this since I haven’t been in a full listening mood lately and also believing that there weren’t enough releases to choose from, and so on.
As 2020 writes itself off and leaves trails of a brave new world behind, I believe its musical output is worth taking a look at from a contextual standpoint rather than the usual year-in-review write-up.
EVA808's 'Sultry Venom', released on the 18th of December on Innamind Recordings, comes after the hype the artist has raised in the last years with tracks like Prrr (2017), Pink Uzi Gang (2018), and Exchange (2020). Not a stranger to other tempos, Eva delivers not a concept record, but a collection of tracks and emotions.
'Ain't About Me' is one pure uncut spoken-word masterpiece, a 360 degrees cultural project that benefits from a physical release on cassette and on a book with typography and illustrations by Rrrumburak. On this record, the spoken words have liquid tactile properties.
.Portofolio | Bandcamp My first contact with musician and illustrator Peter Harris took place through the superb cover of Lee Scratch Perry’s Rainford album. For the album artwork, Peter has morphed a…
As a dubhead, 2020 is probably my favorite year for dub music. This indoor year meant more creation, with so few live music shows and too much streaming. The industry “suffered” from artists and producers focusing on releasing new music and experimenting and, we, the fans, had the luck to be caught in the pouring waterfall of sounds and Bandcamp Fridays.
When Codin asked me if I’d like to sketch a list of my favorite music albums of 2020, at first, I was afraid, I was petrified. I was thinking I would rather skip this since I haven’t been in a full listening mood lately and also believing that there weren’t enough releases to choose from, and so on.
As 2020 writes itself off and leaves trails of a brave new world behind, I believe its musical output is worth taking a look at from a contextual standpoint rather than the usual year-in-review write-up.
EVA808's 'Sultry Venom', released on the 18th of December on Innamind Recordings, comes after the hype the artist has raised in the last years with tracks like Prrr (2017), Pink Uzi Gang (2018), and Exchange (2020). Not a stranger to other tempos, Eva delivers not a concept record, but a collection of tracks and emotions.
'Ain't About Me' is one pure uncut spoken-word masterpiece, a 360 degrees cultural project that benefits from a physical release on cassette and on a book with typography and illustrations by Rrrumburak. On this record, the spoken words have liquid tactile properties.
Black Rhino has teamed up with Studio 148 and Good Stuff for ”Black Rhino Residency” project. We invite in studio bands and producers to work together and create a musical track.
Second follow up for Music and Communities Conference #1, captures Presha's and Samurai Music philosophy regarding the role of music and the mix between politics and sound.…
Following our Music and Communities conference #1 we will present a series of short videos surprising some of the key moments during the conversation. For the first…
With a three and a half our session Channel One Sound System created a journey into reggae and sound system culture, promoting, with every tune, the militant…