D-Operation Drop releases Kuna on Green King Cuts

Black Rhino Music Aug 29, 2019

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D-Operation Drop makes its second appearance on Green King Cuts for the label's 21st release. Released in a limited number of 100 copies, on a 7 inch, Kuna + Dub version was released today but will start to ship in 2/3 weeks.

Same as with the rest of the series, there is no digital available and there will be no represses.

D-Operation Drop is a project born in 2010 thanks to the encounter of 5 university students which found themselves sharing the same house and more importantly, love for music. After a couple of early collaborations, almost casual, Uniradio Cesena gives to D-Operation Drop the chance to lay the foundations of an underground music program on air twice a week. Thanks to this experience the group officially finds its frame and looks forward to its new goals such as producing, dj'ing and vj'ing.

Up to this date, D-Operation Drop has received support from artists like J:Kenzo, Distance, N-Type, Icicle & many others.

Alienmade releases Treant Protector (DBM008) on Dirty Beats Music

Black Rhino Music - Nov 20, 2019

Alienmade and Kodama have been chosen to deliver to us these messages of high importance by manipulating the frequencies of sound transforming it into the artform of what we nowadays call "music".

Mix Sessions

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Mix Sessions

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Black Rhino Mix 006: Rax

Black Rhino Music - Oct 30, 2019

Everything started for Rax in '08 when he just discovered the 140 music by listening to podcasts, mixes and going out to bass-music nights in Bucharest. It was still a blurry picture of the bass music scene, until he went to Outlook Festival. The atmosphere, the artists and sound systems got him thinking in a more realistic and serious way about the dubstep scene and bass music in general.

Reviews

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Reviews

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Driftmachine plays Marien van Oers

Black Rhino Music - Oct 24, 2019

Released by the Netherlander label Ongehoord, "Driftmachine plays Marien van Oers" album playfully circles around the notion of trance-inducing repetition, following Marien van Oers's (1955-2013) concept presented in 1983: "The basic idea of the performance is experiencing a constant repetition of sound (=rhythm), which can result in the spectator taking action through movement or getting into a form of trance".