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Today, music and film are easy companions, that connect us to contemporaneous scores, nostalgic tracks and everyday sounds turned delightfully sensational. The right music allows for moments of sublimation—places and characters being and becoming: Buffalo Bill stares into the camera and begs the question, ‘would you fuck me?,’ Q Lazarus pulsing through his flesh-quilted basement; the late Shelley Duvall as Olive Oil croons over the strange, mumbling, brave outcast in Popeye, her song, reprised in Punch Drunk Love, illuminates a heart-swelling moment of sheer manic joy.
Q Lazarus - Goodbye Horses
David Lynch - In Heaven
Jocelyn Pook - Masked Ball
Wendy Carlos - Main Title
Popol Vuh - On the Way
John Carpenter - Lauries Theme
Shelly Duvall - He needs Me
Danny Elfman - The Breakfast Machine
Nino Rota - Toby Dammit
King Curtis - Whiter Shade of Pale
Mick Jagger and Ry Cooder - Memo from Curtis
The Fall - Hip Priest
Colin Newman - Alone
Franic Lai - Un Homme et Une Femme
Al Bowlly - Midnight, The Stars, and You
Harry Dean Stanton - Cancion Mixteca
David Lynch - In Heaven
Jocelyn Pook - Masked Ball
Wendy Carlos - Main Title
Popol Vuh - On the Way
John Carpenter - Lauries Theme
Shelly Duvall - He needs Me
Danny Elfman - The Breakfast Machine
Nino Rota - Toby Dammit
King Curtis - Whiter Shade of Pale
Mick Jagger and Ry Cooder - Memo from Curtis
The Fall - Hip Priest
Colin Newman - Alone
Franic Lai - Un Homme et Une Femme
Al Bowlly - Midnight, The Stars, and You
Harry Dean Stanton - Cancion Mixteca
